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Not Just Child’s Play
ENTREPRENEURIAL MOMS LAUNCH
A MAGAZINE AND BEAT THE ODDS IN AN
INDUSTRY FRAUGHT WITH FAILURE.
Stephanie Wilkinson and Jennifer Niesslein have a lot in common.
Having met at graduate school at the University of Virginia, both enjoy
a love of the arts, have a passion for writing, and in 1999, were slightly
shell-shocked after both gave birth to their first babies, and became new
moms. Wilkinson was looking for solace and some handholding on
how to deal with her colicky baby, while Niesslein was still trying to
come to grips with her new role as a stay-at-home mom. The pair was
in desperate search of a medium for venting their common frustrations—
and celebrating their individual joys—by publishing personal
essays on parenting. At the time, there was nothing in sight.
The two enterprising moms and
aspiring publishers put their heads
together and came up with a concept: Brain, Child (www.brainchildmag.com),
a quarterly magazine for the "thinking
mom" set. Unlike the dozens of newsstand
magazines covering parenting, Brain, Child would publish personal
essays, not how-to articles. There
would be no tips and tricks stories,
no doctors’ advice columns, and
absolutely no guides for rainy-day craft
projects. Rather, Brain, Child would
celebrate the experience of parenting,
regardless of what style, in a high quality,
literary format.
"Raising children doesn’t come with
a blueprint—if there was one, everyone
would follow it," says Wilkinson, based
in Lexington,VA. "We wanted to create
something that was more like sympathetic
sisters sitting around a coffee
table sharing their experiences."
By the spring of 2000, Wilkinson
and Niesslein had done just that. Brain,
Child made its debut at the Million
Mom March, with Wilkinson and
Niesslein going to Washington, DC and
renting a cheap hotel room to hand out
the first 5,000 copies. Prior to that,
though, the publishing duo spent a year learning the business and drumming
up content for its first issue. The
pair made due with a startup investment
of $21,000 (compared to the $1
million-plus budgets of many large-scale
magazines). "We worked every
spare moment," Wilkinson recalls. "We
gave up hobbies, we didn’t go on vacation,
and we worked during naptime
and at night."
Wilkinson and Niesslein also relied
heavily on their networks of friends and
contacts during the startup stage, calling
in favors from previous colleagues to
contribute articles and artist family
members to help with the graphics.
Wilkinson said she also learned early on
the value of tapping into industry
organizations as well as identifying
those who launched similar publications
and picking their brain for advice.
At the Independent Press Association
(www.indypress.org), for example,
Wilkinson was able to gather information
about printers and shipping costs
and take part in a community of like-minded
entrepreneurs, for only a small
fee. She also hired a consultant for a few
hours to get a crash course in magazine
launches and do reality checks on the Brain, Child business plan.
Vital Stats
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Name: Brain, Child
Publishing Team: Stephanie Wilkinson
and Jennifer Niesslein
Online Venue: www.brainchildmag.com
Home Base: Lexington, VA
What it is and why it’s different: A literary magazine in the
genre of the New Yorker aimed at "thinking mothers."
Unlike most parenting magazines which serve up childrearing
tips and expert advice, Brain, Child chronicles
the experience of motherhood through personal essays.
How they did it: With a $21,000 investment, sweat equity, and support from friends and contacts. |
Beyond Bootstrap
Five years later, the plan is working.
Despite the staggering failure rates of
new magazine launches, the small,
independent Brain, Child now has a
circulation of around 36,000 and was
profitable in its third year. The magazine
is sold on newsstands, by subscription,
through distributor relationships and
can be purchased at stores like Barnes &
Noble and Whole Foods Markets.
Wilkinson and Niesslein never borrowed
any money after their initial
investment, and today, they employ a
family of contract writers, artists, and
editors, along with a full-time circulation
manager, an advertising manager, and
assistants. Now, they even pay themselves
a salary on a regular basis.
The magazine has also received its share of editorial accolades. Brain, Child was recognized
in its first year by the Independent Press
Awards as one of the five best new magazines and
it has received regular awards for editorial excellence
every year since. "We definitely hit a cultural
nerve," Wilkinson says. "Our readers are both
older, first-time moms, and highly educated.
They felt the same kind of bind we did—that
motherhood is interesting, but no one is talking
about the ways in which it’s interesting. They
were looking for some type of community."
Moving forward, Wilkinson believes a lot
more moms would benefit from the Brain, Child brain trust. Although she never sees the magazine
growing to the size of a traditional parenting book
(on the order of around 1 million subscribers),
the goal is to expand the reader base to around
80,000, and there’s also the possibility of adding a
catalog of books and interesting products, all
aimed at this very specific audience.
Even though Wilkinson has no direct experience
in the catalog business and is continually
learning the publishing end, she says she’s not
deterred by the next challenge. Her background
as a journalist and the stamina gleaned from her
PhD work give her the confidence to address
whatever lies around the corner. Says Wilkinson:
"I didn’t start this with the idea that it would be
a hobby—it would either be my next career or a
way to get my own stuff out there. I love having
my fingers in every aspect of the business." BA
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